In Kansas?!?!?!?
Well, at least they have a sense of humor about it. Rather than be offended by that question, they actually printed up a small handout called "Why Hutch?" In it, they explain how Patricia Brooks Carey (a local heiress) had a passion for astronomy and organized local volunteers to build a planetarium in the Poultry Building on the Kansas State Fairgrounds. Later, they added some exhibits; and then fortunate timing led to a liaison with the Smithsonian, and thus to a full-fledged museum showcasing some major artifacts from the Apollo era and more. And then later still, they acquired a large number of artifacts from the Soviet programs as well. Almost half a world away from the Baikonur Cosmodrome, the Cosmosphere has one of the largest collections of Soviet space hardware anywhere. As the handout wraps up:
"It all goes to show, with vision, timing and a chicken coop, anything is possible. You can even build a space museum in Kansas."
Since I didn't know I would be sightseeing on this trip, I didn't bring the camera. The best I could do is the camera in my iPaq; and I'm still learning how to use that without a lot of blurring. So the shots I got weren't as good as I would've liked. What you see below are the best ones.
As you approach the building (it's not in the Poultry Building any more), it doesn't look much different from any typical college building:

Except, of course, for the small detail of a Redstone rocket out front:

And then as you approach the entrance, you see a bronze statue of Gene Cernan, last man on the Moon (to date):

And then you know that there's something special here. Once inside, even before you get to the main exhibit area, you see two space probes:

This is a replica of the Surveyor, a probe sent to the Moon to study surface conditions in advance of the Lunar landings. On the Apollo 12 mission, Commander Pete Conrad and LM Pilot Alan Bean landed within a short walk of the real Surveyor. They took samples from it to help study how the metal had been affected by years on the Lunar surface. (I wish I had a better picture, but this was the best I got. Gotta learn to hold the iPaq still long enough for it to autofocus. No quick snaps with the iPaq!)

This is a replica of the Viking, a probe sent to Mars. No one has visited it for samples. Yet.
They also had two rocket engines:

These are the H-1 (top) and the RL-10 (bottom). Both were used on various pre-Apollo rockets, though I can't recall which ones.

But that was all in the lobby area. From there, I descended the stairs to the main exhibit area. The two most interesting things about the Cosmosphere are that the exhibits are mostly underground, so space is limited; and yet they use that limited space very effectively, organizing the exhibits by themes and eras over time. Most historical museums do this to some extent; but I thought the Cosmosphere did an excellent job of this. Their use of color and space gave a definite feeling of transition as I walked from one era to another. Places like the U.S. Space and Rocket Center may have more artifacts (after all, it's hard to top a Saturn V); but the Cosmosphere presents a better historical experience. Unfortunately, that experience would be hard to capture even with the best camera. It's not something you can easily capture in a snapshot. You have to actually walk through it to get the effect.
One way in which their historical perspective is more extensive is in their coverage of the German rocket program. The Space and Rocket Center doesn't ignore this history, by any means; but perhaps because of local sensibilities (von Braun and his German team settled in the Huntsville area, and many of their families can still be found there today), it's treated relatively briefly. The Cosmosphere has a lot of detail on the V-2 program, including this exhibit:


The plaque tells how over 10,000 slave laborers died on the V-2 program — more than double the number of people killed by the rocket attacks. The Cosmosphere exhibit makes very clear how evil the Nazi regime was. It makes you think how important it is that we never let that happen again.
Here's another view of a V-2:

Next, they showed artifacts and information from the earliest days of the space race, days that were dominated by Soviet launches:

This somewhat fuzzy image is a replica of Sputnik, the first artificial satellite in orbit. The exhibit tells of von Braun's frustration at the Soviets' success, because he felt the American program was ready to launch sooner. He felt that all we lacked was vision and nerve; but he wasn't calling all of the shots.

This is a cutaway model of the Soviet capsule that launched Laika, first dog in space — before we had yet launched a single satellite. Actually, Laika was the first living creature of any kind in space, and was launched to help the Soviets measure the effects of launch and weightlessness on a living creature. (Sadly, they had no recovery mechanism at that time, so Laika's life was sacrificed in the experiment.)
So while the Soviets were launching a satellite and then a capsule with a live animal, the best we could do was this:

That's a replica of the Vanguard, a grapefruit sized satellite with short little communication antennae. By contrast, the Sputnik was well larger than a basketball, and its antennae were more than eight feet long. Yet even with such a small ambition, we failed: the Vanguard's launch vehicle blew up just after liftoff, and the satellite was lost.
But weren't completely without successes in that era. While we weren't making much headway in the launch area, we were making great strides in propulsion, as these exhibits showed:

This is one of the Bell X-1 Rocket Planes, such as Chuck Yeager flew when he broke the sound barrier for the first time. (Another test pilot from the X-1 program would go on to some acclaim, a young man named Neil Armstrong.)

This is a rocket sled, used for ground-based testing of rocket engines and also for tests of how humans could stand up to high acceleration.
Yet despite these successes, the big game in the Cold War was in space; and we were losing there. One reason was the RD-107 or "Red Thunder" rocket engines:

These were the workhorses of the early Soviet launches; and at the time, we had nothing to match them. These were used for many purposes, including launching the first manned probe, the Voskod:

The Cosmosphere personified the space race with statues of two men:

This is Nikita Krushchev, the Soviet Premier who boasted, "We will bury you. Our rockets could hit a fly over the United States."

And this is President John F. Kennedy, the man who decided, "That's not gonna happen." Or to quote him exactly:
We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too. It is for these reasons that I regard the decision last year to shift our efforts in space from low to high gear as among the most important decisions that will be made during my incumbency in the Office of the Presidency.
And through his inspiration, we accepted the challenge, we didn't postpone it, and we won. And step one of that success was Project Mercury:

This is an engne and a fuel sphere from the Mercury Atlas, the vessel that replaced the Redstone (above) for Project Mercury. The Redstone was used for sub-orbital flights; but when it came time to launch John Glenn to become the first American in orbit, it was the Atlas that did the job. (I have a photo of a Mercury capsule replica from the Cosmosphere, but it's too blurry to show here.)
Project Mercury got Americans to orbit; but it was on Project Gemini that we launched teams of two, with a plan to practice and master vital skills for the Lunar missions: rendezvous, docking, orbital navigation, and space walks. And for its Project Gemini exhibits, the Cosmosphere pulls out all the stops. Welcome to Launch Complex 19:

This is an actual Titan launch facility, transplanted to the Cosmosphere. When you walk into it (or actually out to it, since it's outside, you're transported back in time and space to an actual Gemini Titan launch. Hidden speakers play back the actual recorded sounds from the launch prep, so you're immediately met with the rumble of engines and systems coming on line. And then you look up:





And here's a close-up of the engines:

And then, if you're patient, and sit through all the holds and the final countdown, the launch itself rumbles over you. It's all realistic enough that you can imagine the flames erupting around you. That's not a good image for the faint of heart!
Back inside, I got a rather blurry photo of a Gemini capsule:

And after Gemini, of course, came Apollo. But I'll save those photos for a later post. I'm off to visit my aunt and uncle!

























