Tablet UML News


News and commentary (and whatever else catches my eye)
from Martin L. Shoemaker, author of Tablet UML
and UML and Tablet PC instructor for The Richard Hale Shaw Group

Thursday, November 30, 2006

The evil that is YouTube
Curse you, Dean Esmay! If not for you, I might've remained blissfully ignorant of that evil time waster, YouTube.




I give this kid great credit for how naturally he moves through this whole clip.






Who says sabre fencers never thrust?






Oh, sure... We have five dogs, and six horses. I can't keep track of the cats. But I can't have one penguin?






OK, if I can't have a penguin...






Reminds me of when MTV was MTV.






Until now, I never knew he died due to complications from AIDS.






Kevin Sawicki has too much time on his hands. And too much clay.



I'm envious.




Must... avoid... video... store... Too... close... to... Christmas...






Oh, sure... You train them to operate light switches. Next thing you know, they'll figure out computers. That'll be the end of everything!



And in case you doubt that they have reason to take revenge...






With bytes and kilohertz, they did this:



What could we do with terabytes and gigahertz?




It really does look like YouTube is the modern successor to classic MTV.






I've never understood why anyone finds this photocopy stunt amusing. But this guy, he made it funny!






Words fail me...

Saturday, October 28, 2006

You never know in Manchester...
The last time I blogged from the Manchester area, I saw a giant cow. This time, I heard The Millers.

My buddy Josh Holmes recommended the soup-and-WiFi special at the Coffee Mill Cafe in Manchester near him. And I sat down to a nice roast beef and cheddar sandwich and a cup of potato soup; but while I was waiting, a guy with a violin case walked in. Then a couple of more some minutes later. No, it wasn't a Mob hit; it was the Millers, coming in for their twice monthly jam session in the back of the cafe. With their permission, I made a recording, which I'm editing now. With a little luck, I'll have some tracks up tonight.

Update: Here are the first three tracks. Keep in mind: I'm not an audio engineer. I recorded these only with my Tablet PC's built-in microphone. I wasn't necessarily in the best spot for recording (because remember, I'm not an audio engineer). And we were in a very fine coffee shop, which was conducting business and making coffee and otherwise adding noise to the mix. So these tracks are just a taste, a poor imitation of the real thing. If you would like a better taste, I recommend you try their podcasts. Or stop by the Coffee Mill Cafe, 2nd and 4th Saturdays from 2 to 5.

1 (12 MB download)

2 (15 MB download)

3 (10 MB download)

Update: Here are the next five tracks.

4 (13 MB download)

5 (14 MB download)

6 (13 MB download)

7 (11 MB download)

8 (8 MB download)

Update: Here are the next four tracks.

9 (11 MB download)

10 (11 MB download)

11 (10 MB download)

12 (11 MB download)

Update: Here are the next four tracks.

13 (17 MB download)

14 (13 MB download)

15 (9 MB download)

16 (9 MB download)

Update: And here are the last four tracks.

17 (6 MB download)

18 (13 MB download)

19 (13 MB download)

20 (10 MB download)

Saturday, September 9, 2006

And as long as I'm talking music...
...my current favorite group is The Great Lakes Myth Society. I don't for the life of me know why I bought their CD. I was shopping for nautical music. See, I was planning a pirate RPG campaign, and I wanted music with a nautical theme; so I was wandering some of the more obscure corners of the music store. And although the Great Lakes have got their share of ship traffic (the climax of my campaign involved a Templar fleet massing on Lake Ontario, getting ready to sweep out and conquer the world), they're not what you usually think about when you're talking about pirates. But for some reason, I picked up the CD. I listened to bits of it, found it was full of too many modern references for a pirate game, and set it aside.

Well, my new campaign is a modern horror campaign; and at the suggestion on one of the players, I set it on the northern shores of Lake Michigan. So to get in the mood for it, I went through the music library looking for inspiration. And there was the Myth Society. I listened again.

Wow! Is that ever the right music for me! It's a little bit folk, a little rock, and a little intense. The blend is perfect for a fictional small Michigan college filled with strange happenings. And with more careful listening, I've found it to be pretty compelling music.

Now I'll be honest: as a guy who mostly picks music by lyrics over tune, I find the lyrics on this CD to be its weakest part. Some of them are good, but some verge on nonsense. Some tell stories, and some just tell images. There's not a song on the CD that I can recite yet, nor even sing along with.

But the lyric faults don't matter. To me, this whole album just feels like Michigan. It feels like home.


Finding your niche
I'm way overdue posting this. Apologies to Geoff.

The world's an imperfect place. You do the best you can. And I think if you take too romanticized a view of the world, you're setting yourself up for disappointment.

But I also believe that, if they're persistent and flexible and willing to work, most people can find their niche: a place where they can do more and be more; and in doing more and being more, be more satisfied with life.

Not everyone has the energy or desire to persist. Not everyone has the flexibility: family or other obligations may be more important than finding that niche. I understand. It's important that you do what you think is right. (For those who aren't willing to work to find their niche, though, I have no sympathy.)

But sometimes, you really find that niche. And this summer, my fellow Duelist Geoff Nostrant reminded me of that.

Geoff has had a rough life, with a lot of ups and downs — and for much of the time I've known him, there were more downs than ups. I know only little bits of his story, and it's not my story to tell. But it always seemed like Geoff was getting knocked down; and though I admired him for getting back up, he never signed up to be a life lesson for the rest of us. And from what little I could see, his troubles weren't self-inflicted, for the most part. Oh, he made his naive, youthful mistakes now and then, and had to deal with them, just like the rest of us. But it seemed like a lot of people who had say in his life were big disappointments.

But there was one way in which I thought Geoff contributed to his own problems: he's a nomad. He doesn't like to tie himself to any place. And to me, Mr. Stability, that seemed like a mistake. Well, we'll see...

Oh, and I should add: what I've admired most about Geoff is his impressive musical talent and skill. And I mean that: talent and skill. He's good, but he works hard to be better. (Personally, I love his classical guitar work, because that's one of my favorite styles; but he leans more toward the electronica.) But even the music seemed to let him down: though he and some friends self-released a couple of fine albums, those were just two in a sea of indie albums. They had their fans, but the music never went as far as they dreamed.

Well, a few years back, Geoff left us on his biggest wanderjahr yet: he got an opportunity to travel to South Korea to teach English. I never knew how he got this opportunity. I understood the appeal: young and free, with an affinity for Asian ladies, and without much keeping him in Michigan. But we worried that he might be going too far away, and get lost.

How wrong we were. Geoff has been back a couple of times, usually for bad family news; but he has also made time for his Duelist friends. And what we've learned is: Geoff has found his niche.

First, he went looking for a job for some spare income. I don't know how it happened, but he got hooked up with Korean TV production. There's a Korean show called "Surprise!" It's a dramatic crime recreation show; and they had a need for someone to play American "heavies". Well, Geoff can do that: although he's a pleasant enough looking fellow, he can furrow his brows, glare, and look kinda menacing. He's also tall, and fit. So he fit the part. And apparently, Korean TV shows don't mind reusing actors (kinda like the same guest stars kept reappearing in different roles way back when on All in the Family).

So next thing you know, Geoff's a Korean TV star. Oh, not a top name, because (like most cultures) their biggest stars are natives; but he has a following. It's hard for his American friends to see; but in Korea, he's foreign and exotic. He's kinda cool, even, especially with all that hair.

And then on top of that, his star status makes him a popular teacher. And also popular with those Asian ladies he likes so much.

And as music technology gets better and cheaper, he can do more and more of his own production. And so he's very popular on the download scene. You can find some of his music here. I know there's a lot more out there, because I downloaded it; but my apologies, I can't figure out how to find it right now. It's well worth looking for. His work is more polished now, and a lot more mature. Check it out. Just don't offer to pay him for it. His music is his art and his release, and he never wants it to become his job.

And one more thing: he's still adrift. Only now I'm recognizing that for him, that's a good thing. I can't share his view, but I see now how important that is to him. He tried to explain how he's never satisfied tying himself to a place, to roots. That's just about the antithesis of my ideal life. But I think I caught a glimpse of what makes Geoff tick, in a quote I found in Volume 5 of The Books of Magic from DC:


"Everywhere...

"You can WANT everywhere, but you can't have it. You have to choose.

"It wasn't EASY, choosing. I should never have asked Kenny which places HE liked best.

"No, I take that back. I wouldn't have missed the stuff he said for anything. I've never HEARD anyone talk about places the way he did. Like they were PEOPLE. People he LOVED.

"Now I know why he never stops moving. It doesn't matter how much he likes where he is. Wherever he is, he's still always missing somewhere else."


And so by traveling half way around the world, Geoff has found a new somewhere else. That's his niche: somewhere else. If he found his niche, that gives me hope that more people can do it.

Monday, March 20, 2006

Putumayo Presents: Cajun (and more!)
So my sister-in-law Lynette, along with her husband Robert and son Wyatt, sent me a belated birthday card with a Best Buy gift card enclosed. And after my last birthday shopping expedition, I knew exactly where to head when I got to the store: the music section, and specifically the Putumayo titles. I agonized over their choices, finally settling on Putumayo Presents: Cajun. I was looking for something lively, and it's hard to get more lively than Cajun music. I've only heard samples of this CD so far (been too busy working and posting tonight); but I already love what I've heard. (You too can hear samples here.) This is another disk that I can listen to from time to time, and think of the relatives who made it possible. Thanks, Lynette, Robert, and Wyatt!

And there's a bonus: the lyrics are almost completely French (albeit Cajun style French). So there's one more incentive to keep up my French lessons!

While I was at Barnes & Noble last week (picking up Pimsleur Instant Conversation French), I picked up two other Putumayo disks: Mediterranean Odyssey: Athens to Andalucia and A Jewish Odyssey. I've been too busy with travel, business, and French to listen to the latter yet, other than samples. It has some klezmer-style songs, and also some songs with sort of a Middle Eastern style. And yet there are other songs on there which are reminiscent of classical Spanish works, including Spanish guitar (a favorite style of mine). And yet other pieces sound almost Slavic or Eastern European in tone. It's like you can hear the whole Diaspora in these songs.

And as for Mediterranean Odyssey, I listened to this on a trip to visit my in-laws. And what I found interesting in this one was how, even though the songs came from different cultures along the Mediterranean, there were familiar sounds that echoed from one song to another. The songs aren't alike, but bits of one will often remind you of bits of another.

So while A Jewish Odyssey showed musical variation within one cultural tradition spread out across different nations and times, Mediterranean Odyssey shows common musical elements shared by many different cultures that happen to be joined in commerce and other interchange by the Mediterranean Sea.

Building on my preceding post, I have what may be an obvious observation to some, but is quite enlightening to me: I'll bet that you can tell a lot about the historical interactions and progressions and travels of different peoples by looking at their languages and their music, and seeing what they have in common, what they borrow from each other, and how they respond to each other. Add in comparative literature and religion, and I'll bet you get a vastly more intimate view of history than you will just by looking at major events. These elements of a culture are shaped by the day-to-day interaction with other cultures, not just by wars and such.

Oh, and food. Gotta throw food in there. I have long suspected that I could draw a direct line of food relation from Japanese to Hunan Chinese to Szechuan Chinese to Thai to Indian to Persian to Middle Eastern to Turkish to Romanian to Greek to Italian. Yes, I've missed a few steps in there; but I've had all of those cusisines, and I haven't had any of the missing cuisines (Pakistani, Afghani, Bulgarian, Hungarian, and probably others). But what I find delightful (again, if obvious) is how two cuisines that I find similar in flavor and style will usually be close together in geography. It says something about the migration of people and ideas and traditions. I'm nowhere near enough of a scholar to really explore these interconnections, but I still find them fascinating.

Sunday, March 19, 2006

And more Shatner!
Hehehehehehehehehehehehe! (Warning! The movie in that link may be loud, and may also cause embarrassment if your coworkers hear it.) Oh, if living well is the best revenge, then Mr. Shatner is truly enjoying a dish best served cold (to mix some metaphors and throw in an obscure Star Trek reference).

And yet I suspect he's not. Seriously. Under the comic, self-effacing front, I suspect that he's a restless, insecure man who's never satisfied. Or at least that's the impression I get from these lyrics (some of the more somber lyrics from his latest album):


When is the mountain scaled?
When do I feel I haven't failed?
I have to get it together, man.
It hasn't happened yet.
It hasn't happened yet.
It hasn't happened.
People come and say hello.
OK, I can get to the front of the line,
But you have to ignore the looks.
And yet --
I'm waiting for that feeling of contentment
That ease at night when you put your head down and the rhythm slow to sleep.
My heads sways and eyes start awake.
I'm there not halfway between sleep and death.
But looking into,
Eyes wide open,
Trying to remember
What I might have done,
Should've done.
At my age, I need serenity.
I need peace.
It hasn't happened yet.
It hasn't happened yet.
It hasn't happened yet.
It hasn't happened.
And speaking of William Shatner...
Hehehehehehehehehehehehehehehehe! Oh, that is just perfect! I tell you, the man knows how to milk his own reputation.

Oh, and I finally got a chance to watch this show (i.e., the History Channel special linked above) yesterday. And I have to tell you, it's pretty close to on target. Oh, it stretches the point a bit; but really, Star Trek has been a big influence now on two to three generations of geeks who became engineers, doctors, astronauts, and scientists. It helped ignite and maintain that sense of wonder that makes us believe we can do things if we try hard enough, and we'll do them through our brains and our creativity. Oh, the world will still laugh at us; but they'll do so while paying big bucks for the technologies we produce. And the grim-and-gritty crowd will still complain how technology never really solved anything and only makes things worse; but whereas in the past, they would have scribbled their Luddite fantasies on papyrus with crude ink, today they'll post those fantasies on blog sites — and never once appreciate the irony of that.

Oh, and Mr. Shatner is very amusing throughout the whole special. He has developed ironic self-effacement into a high art.
A geek pilgrimage
And while I was in Montreal, I was in fact presenting right on the very edge of McGill University. The Microsoft office there is in fact only a block away from the University on Avenue McGill College. So I was rather amused to be presenting there.

What's that? You mean you've never heard of McGill University? What sort of a geek are you? Don't you recognize the alma mater of one of the icons of the geek world? Doesn't everyone know where he went to school? Well, OK, I didn't until the Biography Channel ran an episode on him, which included a cross-country bus ride to McGill. That was shortly after he won his first Emmy. First, meaning he won another one. Some people say, "I don't mind. They're not laughing at me, they're laughing with me." Other people say, "You're a fool. They're not laughing with you, they're laughing at you." He seems to be saying, "Let them laugh, as long as I get to work. And I'll have the last laugh, all the way to the bank." He has made a third (or is it fourth? or fifth?) career out of mocking himself the way his critics have mocked him in the past; and he's still working, while many of them are still going nowhere. Or as the man himself says:


I've heard of you
The ready-made connecting with the ever-ready
Yeah
The never was talking about still trying
I got it
Forever bitter gossiping about never say die
May I inquire what you've been doing mister?
Jack
Never done Jack
And you partner, what's the News of the World, Dick?
I don't say dick
Don, of all the people you must be the Tattler
Two thumbs up
What are you afraid of?
Failure?
So am I
Has been implies failure
Not so
Has been is history
Has been was
Has been might again


I can only hope that at his age I can still be working in my field and having a ball doing it. And if people laugh at me, I hope I have the grace to laugh along and the wits to turn it into an opportunity.

Unfortunately, my pilgrimage wasn't quite complete. I didn't make it to this place. Oh, well. The name's not official, anyway. McGill just calls it the University Centre. But I have to believe he finds it more amusing this way.

Friday, March 10, 2006

Putumayo Presents: Brazilian Lounge
So I was wandering through Barnes & Noble. My in-laws had sent me a $20 gift card for my birthday, so I figured to pick up a graphic novel. Or maybe a nice SF hardcover. I wanted something that would be a little above the ordinary, so that whenever I read it, I would think of them.

But some days, you just have no luck. Yes, there were plenty of books there that I would like to read, but nothing that really stood out as something special. And so I wandered back and forth, picking up some books, but nothing I could really point to and say, "There. I got that, thanks to you, and I'm really happy about it." I just kinda forlornly stared at covers — not at all a natural state for me in a book store, let me tell you.

But I just couldn't stay forlorn, not with that music playing in the background. It had a nice Latin beat, but kinda laid back. It was really good music. And then the next track came on: some woman singing in Portuguese, with a smooth, swinging feel reminiscent of The Girl from Ipanema. And I knew what my in-laws were getting me. I went straight to the information desk and asked: what's playing, and do you have it in stock?

And the answers were: Putumayo Presents: Brazilian Lounge; and yes, but it took a while for them to find it. I picked it up, and I'll play it for my in-laws when we visit this weekend. It's a great disk, and it was released this month, just in time for my birthday. Now when I listen to it, I'll think of them.

If you would like to learn more about world music but don't know where to start, I highly recommend Putumayo. They've done the research for you, so you don't have to. They've gathered and published great music from around the world, and so you can find these "greatest hits" on their disks. Then when you find something you like, you can use the Internet to find more by that artist. For instance, that song that caught my attention was Parece Mentira by Katia B. (You can listen to a sample here.) Then simple click on her name from the B&N site takes me to this page, where I can see that B&N carries one CD by her. (And they'd be glad to sell it to me, of course.)

So far, my Putumayo collection includes:



From what I can tell, the "Groove" series features upbeat tunes often with a fusion of traditional elements and modern instruments. The "Lounge" series, meanwhile, features more mellow tunes. There's also the Playground series of kids' music. And then there are discs that don't seem to be part of any series, and cover a wide range of styles from a given culture.

Give Putuyamo a try. You'll be glad you did.

P.S. But one thing I can't find at Putuyamo is a song I heard on a world music show on public radio one night. It was the theme from Shaft, but redone with just a slight Arabic twist. It was really, really good, and I would love to track it down.
Posted in Music by Martin L. Shoemaker on Friday March 10, 2006 at 6:28pm. 0 Comments 0 Trackbacks